Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, July 21, 2017

Projects and Tools: Small Project and Tools that have Big Impacts

Over the last five years, it feels like my passion isn't in creating a lasting digital legacy, it is about contributing to something. When I was a student a Western Connecticut State University getting my MFA in Creative and Professional Writing, I started a digital literary magazine. This is where I saw my imprint on the world as a publisher and editor and I really enjoyed it. But what I thought was a project turned into a very significant organization. To this day I am grateful to that community that fostered my experience in editing and publishing. However, it was a massive undertaking and the saving grace was how naive I was about creating something like that. After more than three years, I finally let Miranda Magazine. Not because it wasn't productive, but I couldn't keep up with the hundreds of submissions, deadlines, and the support of the people who were helping me. 

In 2015 I started immersing myself into a community that was different than poets, writers, and artists. I immersed myself in teachers and learning gurus. I joined the Rhizo15 - a Massive Open Online Course and my whole world shifted. There were so many ways to approach learning, creative things, and there were tools and connections to make these things happen. Not only did I meet some of the most prominent thinkers in the field of online learning and thinking, they were also some of the kindest in supporting the course and the community. I then participated in Digital Writing Month and then continued with groups as they emerged over the last few years. During this time, my thinking shifted. I didn't want to make websites that created massive organizations, I didn't want to create three hundred page websites. I wanted to make projects.


I introduced the concept of Digital Humanity Projects to my students and why that is important. How to create a directory of resources is better than explaining one source. I spoke to them about collections, curation tools, and learned that students would gravitate to their own interests in a project. For example, we wanted to catalog historical buildings on campus using an interactive map that would explain how and why all the building are campus came to be. We discussed and created QR codes that we put on bookmarks for virtual book reviews that students could read. I wanted to make tools that connected. 


What does that mean? I didn't want to create a massive product and sell it. I didn't want to create a service and sell it. I wanted to make something that connected people - students, writers, scholars, and just browsing people. In CLMooc - creating and making things digital and real is the cornerstone of the community. But I had been thinking about websites, blogs and connections that were smaller, different, and useful to other people - if only in how they might use it. 


This year I made a few specialty blogs including a political art blog Art from the Resistance and a literary science blog about the ocean titled The Ocean Journal: Writing and Art from the Sea. These two sites are collectives of ideas and connections and not meant to be a complex web magazine. And they create an opportunity for writers and artists to collaborate on topics and ideas that wouldn't find mainstream acceptance. If a fiction writer wrote one obscure piece on falling into the ocean, then it might be an excellent match for the Ocean Journal. Beyond that, perhaps there are marine science writers who like to write essays on their favorite locations and connections. And of course, everything would be a welcomed consideration. 

This year, I created a website called The Experimental Novel Index. Every entry is an explanation of an experimental novel and connections. While there is room for people to write critically about these books, share links to scholarly articles, the point is to connect. Creating tools and resources is practical. And while you create them, you may also find a community who would also use them. We see the all the time as teachers using shared resources. It doesn't need to be epic, you don't need to create an LLC, it just has to connect to something that is meaningful. 

Ultimately I want to create fiction. But what is fascinating to me -- is to take up the challenge. Look around you, what resources are missing in your creativity, in your life, and why? And then start thinking of a process, a way, and creative entry point to make that resource and sustain it. We are in a new era of making. Building something electronically, physically, artistically, or methodically is easier now than ever before. It is a form of creativity, just like writing a poem or painting a canvas. All you need is a little inspiration. The rest will happen. 


Feel free to discuss what you make and how it came about in the comments section. Would love to hear from you. 

The Ocean Journal 
Experimental Novel Project
QR Code Project 


Monday, July 10, 2017

CLMOOC 2017 Make Cycle #1

Being a writer, the more visual, artistic elements of creation often come to me in different ways. When we start thinking about coloring pages and books, I started thinking how would I think of a coloring page for a novel or a story. 

Honestly, I wanted to make a coloring sheet for a character -- what they look like, motivation, and outcome. People could fill in their responses and have a visual sheet for a character. But once I started creating this - I started having an existential conversation with a would-be character. I am not sure how this turned into a kind of conversation but I made some interesting comments here about how I feel about creativity - writing, the process, and the muse. Not sure if this fits into the coloring page idea completely but it showed me some insight.

What I started to think about was how this sheet could hold a variety - perhaps limitless conversations. What happens when we place out subconscious on the page (in the shape of an outline) and ask it questions, give it reason, and converse? Perhaps it would shift a visual brain? Perhaps it would inspire someone to see interconnections? I want to color one of these and accent some of the elements that are important to me. I want to use this type of creation to show and bind a visuality to words, and the ownership of words to the visual.  Thanks for your time in looking this over to everyone in 2017 CLMOOC -- it is such an important place to consider the world.

Add On: Sometimes, after making something like this, I sit and think about it or have a conversation with someone and I find more to think about. While this image was meant to be a coloring page for a character -- based on the idea from Janet Burroway concerning conflict and desire, and then spiraling out to something else -- it would be interesting to take an essay or a chapter from a book and see how it would map out in a visual diagram. What would be the focus, what would be the elements that we need to know the most? And then how would we color this in? What significant details mean the most to make the scene work? And how does it work emotionally? I could see people using scales and meters to measure emotional investment. I could see readers taking pull quotes out and adding them to make impacts around their maps. 

One of the best books on literature and creativity that I've read and admire is Maps of the Imagination: The Writer as Cartographer by Peter Turchi.

It is from that influence that it is easy to see how the imagination can be very specific and wonderfully complex, needing a place for maps and signs, way-points and directionals.

In a class of thirty students, taking one scene from a book and mapping them out will create thirty unique maps. Then we could compare them, and see what elements are common in them all (characters, setting, action), but more importantly, what beats, what moment, what words specifically changed the reader? That will be unique and different. We are constantly coloring our imaginations, we are constantly rediscovering a childhood memory (recoloring perhaps), and I am constantly trying to contribute to why books, writing, stories, and literature is important. (Maybe that's just me) The black and white outlines are the form, the frame, and the logic we need to speak to one another. The colors are the imagination, the turn of a phrase, and vision. Visually, I don't think I've thought about the craft of writing this way. I've spoken a lot about form and content -- but now perhaps there is a new dimension there. The beauty is that it brings into the discussion whether writers color in the lines or embrace the infinite possibilities that blur the human experience. 




Ron's Words: On Art and Writing by Kevin Hodgson